
The Merchant of Venice 1936: 3 star review by Douglas Gibson
One of Shakespeare’s most problematic characters, Shylock the Jewish moneylender has undergone polarised interpretations since The Merchant of Venice was first performed. This has ranged from miserly and cruel to demonic and inhumane when the Nazis hijacked the protagonist to further fuel antisemitism and xenophobia. Ostracised from society and forced to renounce all that he holds dear, in more recent years Shylock tends to be played as a tragic figure and one who deserves our pity. In this dari...